Archive for the ‘Faith No More’ Category

Noiseweek: Cobain documentary, OK Computer in the Library of Congress, NYT on Liturgy, new music from Death Grips, Godspeed and more

Saturday, March 28th, 2015

The sights, sounds and words of the week in noise.

NEWS

Radiohead’s OK Computer has been selected for preservation at the US Library of Congress’ National Recording Registry in recognition of its “cultural, historical or aesthetic significance.” The organisation selects 25 recordings each year, and Radiohead’s seminal 1997 release joins The Doors’ 1967 self-titled album, Steve Martin’s comedy record A Wild and Crazy Guy and 22 other recordings ranging from the 1890 to 1999 to receive the honour this year.

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The HBO-produced Kurt Cobain documentary Montage of Heck which did the rounds with its debut trailer a couple of weeks back has been confirmed for a theatrical run in our little island nation. US sources point to an April 10 debut in cinemas before the HBO premiere on May 4, but that’s likely a US date; the only solid information on an Australian release points to June 25.

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Earth have struck up a deal with LA-based label / management company Sargent House, joining a stupidly talented roster of the world’s best power trios including Boris, Marriages, Helms Alee, Mutoid Man and Russian Circles. No word yet if this means a severance of Earth’s long-running partnership with Southern Lord.

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British book publisher Strange Attractor are taking pre-orders venerable UK mag The Wire’s latest foray into print publishing with Epiphanies: Life Changing Encounters with Music, a collection of the publication’s Epiphanies column which has been running for over 17 years. Contributors include Michael Gira, Jonny Greenwood, Simon Reynolds and Lydia Lunch.

READ

The Ark Work is Liturgy’s Third Album | The New York Times

“In his interviews and writings, Hunter Hunt-Hendrix — Liturgy’s singer and songwriter and one of its guitarists — rejected the common black-metal rhetoric of decay, doom and negative certainty in favor of the opposite: building, liberation and positive indecision. He wrote a manifesto about “transcendental black metal,” which he read aloud at an academic symposium and which was excerpted in a journal of poststructural philosophy. (For all of this he was called pretentious, as if black-metal bands of the early-’90s Norwegian period, with corpse-paint and bullet-belts and inverted crosses, hadn’t ever known pretension.) In any case, Liturgy’s music, and the predictable response to it, seemed based on what it was not — how it stood apart from what it sounded like.”

Perennially Contentious: The Return of Faith No More | Pitchfork

“While “alternative rock” was a nebulous descriptor even during the genre’s late-‘80s/early-‘90s heyday, Faith No More were the rare band to truly exemplify both halves of the term. On the surface, the San Francisco quintet resembled the sort of long-haired, ripped-denim hellraisers filling up the dance card on “Headbangers Ball”, but their absurdist take on rock owed as much to Zappa as Zeppelin. And their ubiquitous 1990 breakout hit “Epic” both defined rap-metal and defied it, gilding its atomic funk with progged-out synth fanfares and classical-piano flourishes, like a mosh pit choreographed by Cecil B. DeMille. ”

Why Would A Band of White Dudes Name Themselves Slaves? | The Fader

“From Anal Cunt to Cerebral Ballzy, there have always been bands whose names provoke a reaction, especially in the punk and hardcore scenes. Shock tactics and strong political statements are often at the heart of art—and, more cynically, marketing plans—but lately, several bands have been causing a backlash for the overtones of cultural and political appropriation evoked by their names. Prostitutes, Girl Band, and Viet Cong—who played at FADER FORT last week—all make very different music (techno, noise, and rock respectively) but the one thing they have in common is that they’re all made up of white men. Perhaps unsurprisingly, they’ve been at the centre of the discussion, with Viet Cong even having a recent university show cancelled by a promoter who deemed their name “offensive.” (The Calgary band have since issued a statement claiming they were “naive” in choosing their name and “never meant to trivialize the atrocities or violence that occurred on both sides of the Vietnam war.”)”

LISTEN

Godspeed You! Black Emperor — Asunder, Sweet and Other Distress

That happened quick. Godspeed only announced their fifth LP in late February; Asunder… is out on March 31 and was made available for streaming earlier this week. Some of the cuts might sound familiar — I’m almost certain the opening of “Peasantry or ‘Light! Inside of Light!” was a live staple on their first Australian tour in early 2013. It’s a track mired in dirge and drudgery, anchored by a beastly symphonic below. In fact, dirge and drudgery abound on this record: after a few listens, it feels like the most apocalyptic record yet, as if the collective have traded in their hope for nihilism.

Tangled Thoughts of Leaving — The Albanian Sleepover

Speaking of dirge, Perth quartet and LIN favourite Tangled Thoughts of Leaving have debuted the first track from their forthcoming sophomore LP. At a second under 10 minutes it’s probably the album’s shortest tracks, but it showcases the band’s darkly melodic tendencies as fields of static rise and fall under a ten-ton-heavy riffage before a brooding interlude, a crashing crescendo and a “to be continued…” until we get to hear part 2. I’ve little doubt this will be one of the best records of the year.

Drowning Horse — Drowning Horse

The most punishing band in Perth are in the midst of work on a new record that, fingers crossed, will be out before the end of the year, and before they play their first show of 2015 at our five year anniversary show at The Bakery on April 2 (tickets here!), they’ve made their debut record for free, or whatever price you may feel like paying.

WATCH

Inventions — Peregrine

The first video from Inventions’ Maze of Woods is an eerie, home video-style piece of cinema that recalls cultist found footage, Jason Voorhees and Chuckie — an odd mix of aesthetics given the track’s relaxed tone, but it’s a fitting juxtaposition. You can stream more from that album at Inventions’ Bandcamp.

Joy Division + Teletubbies

It’s the film-noir fever dream you’ve always wanted.

Anger Management: Faith No More

Wednesday, December 31st, 2014

Every fortnight, we check in with all things heavy on RTRFM’s Critical Mass show.

For all their success, platinum album sales, huge tours and a highly devoted fan base, Faith No More always had the rare luxury of being able to do whatever they liked musically. For every massive single like “Epic”, there was a “Jizzlobber”. For every cover of The Commodores’ “Easy”, there was a “Cuckoo For Caca”. They were never afraid of losing airplay or fans by throwing in hugely odd musical quirks.

So when it was announced that they would be releasing their first new music since their split in 1998 (and reunion in 2009) it was going to be interesting to see what direction they would take.

Since their split, most of the members were busy with various musical projects (Imperial Teen, Tomahawk, Brujeria plus the Ipecac and Kool Arrow record labels) and seemingly not strapped for cash. Any reunion would be done if the conditions were right. The band slowly got their live chops back and spent time mending fences with alumni such as Chuck Mosley and Trey Spruance (though that Jim Martin bridge however sees no sign of being repaired).

So with everything coming together and the various live shows working well, what does brand new single “Motherfucker” ( or as iTunes helpfully says “M**********r”) sound like?

Opening with piano and a shuffling drum beat we are first introduced to the low vocals of… Roddy Bottum? Swerve! As the song progresses and gets faster, Mike Patton’s familiar vocals kick in, followed by some more epic (pun intended) guitar and then… it fades out leaving you wanting more. It’s understated but it works well as a teaser, kind of in the vein of a song like “Stripsearch” you almost want it to go 5 mins longer. The as yet untitled album is due in April 2015. We can’t wait.

Critical Mass airs every Wednesday from 9PM (GMT+8) on RTR FM 92.1 in Perth, Australia.