Archive for the ‘Two Minutes With…’ Category

Two Minutes with Skullcave

Monday, February 1st, 2016

Ahead of their spot supporting High On Fire at the Rosemount in Perth on February 17, we spend a couple of minutes with Skullcave and find out what’s been happening…

Describe your music in five words or less.
Riff, whinge, harmony, chugg, riff.

What’s going on in the world of Skullcave?
We put out 2 EPs last year and we’ve been writing for our next release which we’ll hopefully record with Ron Pollard.

What motivates you to make music?
The local heavy music scene in Perth has actually been the biggest motivator to me recently. There are a lot of great artists creating some really unique sounds, so their artistic success inspires me to keep writing.

What have been the high and low points of your musical experiences so far?
Lows: Spending all your money on a new amp/guitar and then struggling to eat for the rest of the month.
Highs: Spending all your money on a new amp/guitar and then struggling to eat for the rest of the month.

What music are you listening to at the moment?
Elder, Drowning Horse, Melvins, Hard-Ons, High On Fire

If you were stranded on a desert island, which member of the band would get eaten first?
I think Liam would be the easiest to catch and pin down. Then again I’m definitely the least fit. Either way, Steve would probably last the longest.

Here’s an opportunity to bitch about something, whether music related or not. What really pisses you off?
Phil Anselmo’s racism. What a loser.

You’re putting together your perfect gig featuring Australian artists. Who would you get to play and where? Feel free to include acts/DJs/bands/venues that no longer exist.
Mine would be an all day outdoor heavy music gig made up largely of local acts.

Drowning Horse, Lo!, Tangled Thoughts of Leaving, Forstora, Cursed Earth, Serious Beak, Unravel, Self-Harm, Hard Ons, Mark of Cain, Foxes, Territory.

Riffs…

Two Minutes with Reaving

Wednesday, January 27th, 2016

Ahead of their spot supporting High On Fire at the Kings Arms in Auckland on February 23, we spend a couple of minutes with Reaving and find out what’s up…

Describe your music in five words or less.
Riff. Solo. Riff. Solo. Riff.

What’s going on in the world of Kyzer Soze?
Opening for one of our favourite bands High On Fire (fuck yeah!) which is huge for us — Matt Pike is a big reason why we started this band. We’re also playing at our favourite penis-themed festival WoodCock in Tauranga and then on to recording our first full length album and hitting the road to tour it later in the year.

What motivates you to make music?
Musical exploration and the lengths to which you can take an idea, hanging with your buddies and drinking lots of beers. Hey that rhymed! We should start writing lyrics.

What have been the high and low points of your musical experiences so far?
I guess the only low points we can think of are hitting creative road blocks but generally it’s just a passing thing and if you just keep your head down and bum up they are easy enough to get through. Also we’ve had a few run-ins with shifty people who have ripped us off and not met commitments but if you’ve played music long enough it seems par for the course. Having thick skin and learning from those experiences is the only way forward.

High points would be getting a last-minute call up to open for Red Fang and Beastwars! Along with the many long drives gigging around NZ and a collaboration project we did with artist Alex Bartlett at The Experiment, a multimedia arts festival that went off without a hitch even though it easily could not have. Taking risks and things miraculously working is what music is all about. Always take the risk.

What music are you listening to at the moment?
Bowie (sobs), Mastodon, Elder, Metz, Yob, Bespin, Ghostface Killah (with badbadnotgood), Between The Buried And Me, CONAN, Fuzz, and Mahavishnu Orchestra.

If you were stranded on a desert island, which member of the band would get eaten first? And why?
Our dear leader Winston in his communist wisdom would have us all chop an arm off and redistribute them evenly (i.e. mostly to himself).

Here’s an opportunity to bitch about something, whether music related or not. What really pisses you off?
We couldn’t come up with a general consensus of what pisses us off so individually:
Taman is pissed off so often he’s not sure specifically what he’s pissed off about.
Alex: When you have a shower and have to poo straight after. It can really ruin your day.
Winston: The exploitation of the proletariat by the bourgeoisie.

You’re putting together your perfect gig featuring NZ artists. Who would you get to play and where? Feel free to include acts/DJs/bands/venues that no longer exist.
It would be a summer festival at Tahaki Reserve which is a little natural amphitheatre at the bottom of Mt Eden. We’d play nice and early so we could drink beers and get wasted to see our favourite live bands and ones that are long gone. In no particular order:
Mountaineater, Black Science, The Mint Chicks, The 3Ds , Shoutin Preachin, Human Instinct, Greenfog, Ticket, The Ladedas, Triumphs, Into Orbit, Bespin, Dhdfds, Hiboux, Down The Hatch, Mason Clinic, Stonedogs, Husk, Bloodnut, God Bows To Math, Jakob, The Phoenix Foundation, Slavetrader, Parents, Shitripper, Gundry Blues, PCP Eagles, Bloodbags, Lost Rockets, His Masters Voice, Diving, Threat Meat Protocol, Connan Mockasin, Spook the Horses, X-Ray Fiends…Damn there has been and is a lot of good music to come out of this country. I could keep going but the festival would have to be a two-dayer.

Two Minutes with Kyzer Soze

Thursday, January 21st, 2016

Ahead of their spot supporting High On Fire at Brisbane’s Crowbar on February 21, we spend a couple of minutes with Kyzer Soze and find out what’s up…

Describe your music in five words or less.
Death metal.

What’s going on in the world of Kyzer Soze?
Writing new material and playing shows.

What motivates you to make music?
Creating something that makes you feel, we all love music as listeners. The journey you take when you write a song, that gives you chills, it a great feeling. The adrenaline from playing live shows is a very strong drug. You can’t get enough of it.

What have been the high and low points of your musical experiences so far?
Highs would be supporting The Black Dahlia Murder and At The Gates last year; lows would be losing money, but that’s just about every band these days.

What music are you listening to at the moment?
Rivers Of Nihil’s new album Monarchy, Black Crown Initiate, the new Cattle Decapitation, Inferi, The Black Dahlia Murder, Blood Red Throne and always Behemoth.

If you were stranded on a desert island, which member of the band would get eaten first? And why?
Roine, he’s the only one with enough meat on him to make a decent roast.

Here’s an opportunity to bitch about something, whether music related or not. What really pisses you off?
When people say: “The scene is dead maaaaaaaaan.” Fuck off, go to a show and check out some new bands. We have some of the best new bands in the world, so stop being lazy you dickheads.

You’re putting together your perfect gig featuring Australian artists. Who would you get to play and where? Feel free to include acts/DJs/bands/venues that no longer exist.
I would love to see AC/DC play with Portal. Psycroptic can open and it will be at Lang Park. Bring some black metal to the masses.

Two Minutes With YLVA

Thursday, January 14th, 2016

Ahead of their opening spot for High On Fire at Max Watt’s Melbourne on February 19, we spend a couple of minutes with YLVA and find out what’s up…

Describe your music in five words or less.
Heavy metal.

What’s going on in the world of YLVA?
We are currently working on material for our first album.

What motivates you to make music?
Collectively and personally, I would say the motivations are many and varied. We are all ‘lifers’ in playing music/being in bands. It would be a safe bet to say that the main motivations are the same as most people who spend their life dabbling in the arts long after the glory of their 20s is gone.

What have been the high and low points of your musical experiences so far?
YLVA has played one show so far. Our current track record is without flaw.

What music are you listening to at the moment?
As I type I’m listening to Earth. As I can’t speak for the other guys, this week (it is only Wednesday at the time of writing) I’ve had a pretty good diet of Judas Priest, Sunn O))), Kowloon Walled City, Fugazi, Songs:Ohia and a bunch of Muddy Waters.

If you were stranded on a desert island, which member of the band would get eaten first? And why?
Mike for sure. He is usually mildly sick or tired. There is not much meat on him though, he would be a shitty meal.

Here’s an opportunity to bitch about something, whether music related or not. What really pisses you off?
People. Generally speaking.

You’re putting together your perfect gig featuring New Zealand artists. Who would you get to play and where? Feel free to include acts/DJs/bands/venues that no longer exist.
It would be ChristBait, a young AC/DC, Further, SPOD, The Nation Blue, early 70s Billy Thorpe and the Aztecs, Damaged and Little Ugly Girls playing at The Punters Club.

Two Minutes with Greenfog

Tuesday, December 1st, 2015

Ahead of opening for MONO at The Kings Arms on December 10, we spend a couple of minutes with Greenfog and chew the fat…

Describe your music in five words or less.
Forest rock, fuzzy shoegazey doom.

What’s going on in the world of Greenfog?
We’re all playing a lot in other bands at the moment (NIISA, Her Desher, The Naenae Express, Sea Views, Teracotta Cat, SonofSun, Rewind Fields, 3 Little Pubes, CHARLIE, Couchmaster) however we’re planning on releasing another Greenfog album soon filled with weird demos from recordings of our practices over the last couple years, something a little different. Then we might go back to Bruce Farm and record some new stuff. Who knows.

What motivates you to make music?
It’s hard to pinpoint this exactly. It’s what we do and will probably always do; making music we want to hear, with and for people we love.

What have been the high and low points of your musical experiences so far?
High (420): Probably opening for Earth, they are a huge inspiration for us and such lovely people.
Low: A couple of weeks ago watching Caroles, our tour bros/soul mates play their last show ever. Real sad.

What music are you listening to at the moment?
The new Fuzz album (!), Durutti Column, Duster, Shellac, Slowdive, Sunn O))), A Place to Bury Strangers, Swans, Broken Water, My Bloody Valentine, Conan, Pallbearer, Amen Ra, Soma, Thelonius Monk, Erik Satie, Neil Diamond’s ‘Girl, You’ll Be A Woman’, Kraus, and all the other seriously great shit happening in AKL central at the moment.

If you were stranded on a desert island, which member of the band would get eaten first? And why?
Scott and Elliot would feed me to the crabs.

Here’s an opportunity to bitch about something, whether music related or not. What really pisses you off?
Dry season.

You’re putting together your perfect gig featuring NZ artists. Who would you get to play and where? Feel free to include acts/DJs/bands/venues that no longer exist.
KCB
Alec
Sere
Kraus
Heavy
Bespin
Totems
Caroles
Reaving
CHEATS
Snapper
I.E. Crazy
Bandicoot
Deathbeam
Trust Punks
X-Ray Fiends
David Adison
The Mint Chicks
Seth Frightening
God Bows to Math
Dear Times Waste
Shacklock Meth Party
Reuben Winter (drone set)
Girls Pissing on Girls Pissing
The venue would have to be some amazing field/campsite/chronophonium-type place outside of Auckland with Mark from the Kings Arms on sound for the whole night and all the staff from The Kings Arms, Whammy Bar/Wine Cellar and Golden Dawn smashed together on the bar.

Greenfog support MONO at The Kings Arms in Auckland on Thursday, December 10. Tickets are on sale now through lifeisnoise.com.

Two Minutes With Serious Beak

Tuesday, November 24th, 2015

Ahead of opening for MONO at Newtown Social Club on December 7, we spend a couple of minutes with Serious Beak and chew the fat…

Describe your music in five words or less.
Lachlan: Death-defying psychedelic prog.
Tim: More riffs, less talk.
Gene: Dumb dada, da dada dada dar.
Andrew: SuperBirdGrindProg

What’s going on in the world of Serious Beak?
Lachlan: It’s taken us four years, but we’ve just released our new album Ankaa, which we are all super stoked on. To celebrate, we’re going on tour with Perth’s amazing Tangled Thoughts Of Leaving.
Gene: Then we will yet again venture into the cave of truth and ask the spirit crystals for help.

What motivates you to make music?
Tim: To hear music the way that we want to hear it.
Gene: Purely selfish reasons.
Andrew: An unknown force, be it spirit or genetics, I must!
Lachlan: Catharsis.

What have been the high and low points of your musical experiences so far?
Tim: Highs, surviving this long as a band whilst playing some amazing shows with some incredible bands.
Gene: Highs, 2013’s massive Australian tour with Battle Pope. Lows, when this band breaks up.
Andrew: Highs: being asked to join Serious Beak, playing amazing, packed shows with past & present bands. Lows: how long it takes Beak to write material.
Lachlan: It’s been amazing to support rad bands like Deafheaven and Neurosis. Lows? Well, it’s never fun playing a bad gig.

What music are you listening to at the moment?
Lachlan: New tunes from Joanna Newsom, Earl Sweatshirt, Instrumental (adj.), Hope Drone and Sufjan Stevens.
Tim: Kowloon Walled City, Majora, Instrumental (adj.), a digital station called ‘Pure 90’s’ and whatever my 2 yr old daughter wants to listen to, which at the moment is Jimi Hendrix.
Gene: Cardiacs and Plus-Tech Squeeze Box, but mainly movie soundtracks and musicals.
Andrew: I’ve been going back to some of my high-school era jams; re-discovering Pantera and Primus and how awesome they were/are, Enslaved’s last two albums, Instrumental (adj.), Kurushimi as well as Bernard Herrmann’s scores.

If you were stranded on a desert island, which member of the band would get eaten first? And why?

Lachlan: Tim, because there are only so many Dad jokes and references to ‘80s pop that one can handle.
Gene: Lachlan, surely we would each find a corner of the island and start our own solo project.

Here’s an opportunity to bitch about something, whether music related or not. What really pisses you off?
Tim: Our federal government’s lack of commitment to actually preparing our country, and our planet, for the future in which my kids and thousands of generations afterwards have to live in. Carl Sagan’s ‘The Pale Blue Dot’ should be read out at the start of each sitting of Parliament, just to give each member a sense of perspective and quell the feelings of self importance, so that we can move on from what divides up and realise that we, as a species, can achieve so much if we all work together.
Lachlan: As ever, people seem all too eager to abuse and exploit our fellow humans.

You’re putting together your perfect gig featuring Australian artists. Who would you get to play and where? Feel free to include acts/DJs/bands/venues that no longer exist.
Gene: My place with no other punters with 4’33? being blasted on a loop.

Serious Beak support MONO at the Newtown Social Club in Sydney on Monday, December 7. Tickets are on sale now through lifeisnoise.com.

Two Minutes With Mothra

Thursday, November 19th, 2015

Ahead of their opening spot for MONO at King’s Arms on December 10, we spend a couple of minutes with Mothra and find out what’s up…

Describe your music in five words or less.
Ambient, intense, sludgey, progressive, cathartic.

What’s going on in the world of Mothra?
We are releasing our debut album Decision Process in the very near future, and we’ve just released a 7? single and video from it for a track called “Splinters”. We are stoked to be opening for Mono, then it’s time to do some touring and start recording the next album. There’s so much new material we can’t keep track.

What motivates you to make music?
Life, boredom, inspiration from other artists, the need for pure expression.

What have been the high and low points of your musical experiences so far?
Highs: opening for some of our favourite bands such as the Dillinger Escape Plan, Helmet, Russian Circles, Earth, and Jakob, and finally finishing our debut album. Lows: Almost disbanding a few years back, nothing much happened for about a year.

What music are you listening to at the moment?
Neurosis, Shellac, Slint, Dillinger, Sumac, Mono, Mamiffer, the Cinematic Orchestra, Massive Attack.

If you were stranded on a desert island, which member of the band would get eaten first? And why?
Reuben or Hugh, not James because he is vegan and possibly tasteless to a wild animal.

Here’s an opportunity to bitch about something, whether music related or not. What really pisses you off?
Getting repeated parking tickets outside my own house for being too close to a bus stop sign that hasn’t been in use for 10 years, and then listening to the council trying to justify it.

You’re putting together your perfect gig featuring New Zealand artists. Who would you get to play and where? Feel free to include acts/DJs/bands/venues that no longer exist.
Re-open the Transmission Room in Auckland, on the bill we might have Straightjacket Fits, Semi Lemon Kola, Militia, the 3Ds, Nothing at All, Balance, the Gordons, Bailterspace, HDU, Lord of Tigers, New Way Home, and Shihad (if they play Churn.) Flight of the Conchords and Billy T. James could do comedy in between sets.

Two Minutes With Tangents

Saturday, November 14th, 2015

Ahead of their opening spot for MONO at Newtown Social Club on Sunday, December 6, we spend a couple of minutes with Peter Hollo, Adrian Lim-Klumpes and Ollie Bown from Tangents

Describe your music in five words or less.
Peter: post-everything improv

What’s going on in the world of Tangents?
Adrian: We completed our second album not so long ago and have just signed it with an exciting label from the US.
So right now it’s getting promo stuff on the ball and lining up some gigs, plus improving our set with some new ways of working.

What motivates you to make music?
Ollie: Exploration. I’ve only ever really been interested in making music that involves other people in some way. I love remixing. This is by far the most stimulating band I’ve been in; a real diversity of styles and characters that keeps pushing me to ask what we can do next. I also need all the stars to be aligned to enjoy making music. Quite often I hate it.

What have been the high and low points of your musical experiences so far?
Adrian: A high point for me is working with Evan.
He and I have similar histories in jazz improv, electronics, rock and so on. So when we play together I find its more than music. The groove and flow of thinking, creating and anticipating together is quite unique. Add the beautiful colours and energies of the other three tangents and performing with this mob is really special.

What music are you listening to at the moment?
Peter: I can only speak for myself, and I’m drowning in music as ever. I discovered a Chinese stalwart in Beijing recently, Dou Wei, whose music ranges from hard rock beginnings though post-punk and postrock influences to ambient and downtempo, experimental improvisations with traditional Chinese instruments, and an incredible recent 45-minute psych-metal freakout.
Some other randoms: Julia Holter, Punch Brothers, Björk, Old Man Gloom, Jenny Hval, Akkord, Vampillia… the list goes on…

If you were stranded on a desert island, which member of the band would get eaten first? And why?
Ollie: I reckon we could whip up a pretty good Foie Gras with Peter. He doesn’t drink and smoke so his liver should be in good shape. Problem would be what to eat it on. The cello would make for a crap crispbread.

Here’s an opportunity to bitch about something, whether music related or not. What really pisses you off?
Peter: It’s really important to bitch (there’s that word…) about the less-than-adequate position and experiences of women and LGBTQIA+ people in the music industry (and our society)… something which Evelyn Pikelet et al’s LISTEN project is providing a fantastic forum for.

You’re putting together your perfect gig featuring Australian artists. Who would you get to play and where? Feel free to include acts/DJs/bands/venues that no longer exist.
Adrian: Well, I love a piano.
How about Chris Abrahams, Eric Griswold, Novak Manojlovic, Alister Spence and Paul Grabowsky
An assortment of small group improvs, followed by Steve Reich’s music for 6 pianos, finish with an extended 6 piano improv .
Someone write the grant application, get some sponsors and make it happen!

Tangents support MONO at the Newtown Social Club in Sydney on Sunday December 6. Tickets are on sale now through lifeisnoise.com.

Two Minutes With Fuck The Fitzroy Doom Scene

Wednesday, October 21st, 2015

Before they open proceedings for Earthless and Elder at the Corner on Saturday October 24, we spend a couple of minutes with Melbourne’s doom revellers Fuck the Fitzroy Doom Scene.

Describe your music in five words or less.
Birth. Life. Love. Death. Peace..

What’s going on in the world of Fuck the Fitzroy Doom Scene?
About to embark on our second album recording. The plan is to track, mix and master ourselves, all on tape… Here’s Dave with the gig updates: “We’re Supporting Elder and Earthless on their Melbourne Show!” Pretty stoked!

What motivates you to make music?
Life seems to pile up in the subconscious and spew out through music. It’s cheaper than a shrink ;) . But only just.

What have been the high and low points of your musical experiences so far?
The first record is something we are immensely proud of and the Boogie Festival show was very special. There was a blood red moon rising up over the crowd as we played — that place just rocks!
The low point was nearly driving our car off a cliff in dense fog at a Mt. Hotham show but even that was fun. P.S. Luke, you’re designated driver from now on ;-) .

What music are you listening to at the moment?
Apart from our phone demos: Down, Mad Season… Lots of live and local stuff including Magic Mountain Band… also Elder’s Lore! Luke’s griming on the Mark Ronson/Mystikal collaboration, Feels Explicit. Ali’s car radio is tuned to ABC Classical for late cruising.

If you were stranded on a desert island, which member of the band would get eaten first?
Dave. His hair smells scrumptious.

Here’s an opportunity to bitch about something, whether music related or not. What really pisses you off?
Dave’s hair in my teeth.

You’re putting together your perfect gig featuring Australian artists. Who would you get to play and where? Feel free to include acts/DJs/bands/venues that no longer exist.
In no particular order:
Bon Scott w/ AC/DC, Fraternity, Madder Lake, ’80’s-Midnight Oil, EasyBeats, Daddy Cool, The Purple Hearts, The Birthday Party, The Scientists, The Church, Geoffrey Gurrumul Yunupingu, Master’s Apprentices, Billy Thorpe and the Aztecs, Chain, Buffalo, Dragon, The Dirty Three, Pirana, The Zoot, GutterSnipes, The Missing Links, The Drones & Frantic Toss… All at the Espy Front Bar for $5!

Fuck the Fitzroy Doom Scene support Earthless and Elder at the Corner Hotel in Melbourne this Saturday October 24. Tickets are on sale now through lifeisnoise.com.

Two Minutes With AVER

Thursday, October 15th, 2015

Before they join Elder and Earthless on one of the psych bills of the year at Hermann’s Bar in Sydney on October 25, we spend a couple of minutes with heavy, handsome lads of AVER.

Describe your music in five words or less.
Heavy psych. Three extra words.

What’s going on in the world of AVER?
We’ve recently signed with Ripple Music in the USA, who are putting our latest album, Nadir, out on vinyl. We’re in the process of recording a couple extra tracks for it at the moment so the whole thing will be a fairly beastly hour an twenty minutes or so over two vinyls. This has also given us an excuse to give in to our GAS (Gear Acquisition Syndrome) and spend far too much money of new noise making trinkets. Oh, and we’re organising a tour overseas next year.

What motivates you to make music?
That’s a tough one. After you’ve been doing it for long enough the question of “why” sort of becomes alien. It’s just part of your routine like eating breakfast. Or sneaking a couple of beers immediately after breakfast. I guess the easiest answer is that it’s cathartic, meditative, and you’re hanging out with your mates while finding an outlet for your nervous energy.

What have been the high and low points of your musical experiences so far?
The high point has definitely been the love we’ve gotten online for our two albums. It’s weird being in this rinky-dink city (Sydney) that doesn’t have a lot going on in terms of a stoner/psych scene, but at the same being contacted by people all over the world about your album, asking when you’re coming, or just saying “hi”.

As for the low point? You’ve got to remember, we started this band in high school. That means we were using absolutely rubbish gear, with no rehearsal space. So we were all crammed into our drummer Chris’ bedroom. So imagine it’s the middle of summer, four sweaty teenagers crammed into a tiny bedroom with a drumkit, three amps and no air conditioning. It’s weird, whenever we get to spread out on stage and not have a guitar headstock inches from your face you get slightly agoraphobic. On the plus side, we’re pretty grateful for any less-than-terrible travelling or performing arrangements, so there’s that.

What music are you listening to at the moment?
Child and Comacozer, who we just had the pleasure of playing in Melbourne with. Also, Sahara Surfers’ new album which just came out and absolutely slays. We’re also in the middle of a Supertramp revival period. There just came a day where we were hanging out, and somehow Supertramp’s greatest hits ended up playing. And then again. And then every week. We’re pretty sure this is just something that happens to everyone naturally with age along with back aches, nose hair and not trusting teenagers.

If you were stranded on a desert island, which member of the band would get eaten first?
Jed (bass). He actually goes to the gym so he’s got some muscle on him, while the rest of us look like particularly neglected mops. Although this would most likely lead to our downfall as he’s probably the most prepared for a desert-island type scenario, whereas the rest of us would immediately regress to a state of child-like panic upon realising there’s no Wi-Fi.

Here’s an opportunity to bitch about something, whether music related or not. What really pisses you off?
Honestly? The live music venues in Sydney dying off. Every few months we end up losing another one. And there’s only so much blame you can try to level at people who move near venues and then suddenly discover that live music venues aren’t silent after 6PM every night. The truth is that it’s the mentality of a lot of people in this city to not bother seeing live music unless the band is already trendy and you gain some scene-points for being there, or they’re mates of the band. We just got back from Melbourne and people just went to gigs to see some music, places were packed at 3 in the afternoon. About 4000 people went to the last ever show at the Lansdowne in Sydney when it closed last month, as if they really cared, but where were they for the years before? People go on about how sad it is to lose all the iconic venues they never visit, and the dwindling of scenes they never support. These are usually the same people who think nothing of dropping 50 bucks in the pokies and spending a hundred bucks on cabs in a night, but being part of a scene and supporting live music is a bridge too far, and it brings my piss to a boil. Rant over.

You’re putting together your perfect gig featuring Australian artists. Who would you get to play and where? Feel free to include acts/DJs/bands/venues that no longer exist.
One more heavy show at the Annandale, loud enough to dislodge the new owners’ monocles into their daiquiris. Tumbleweed, Child, Comacozer, Kaleidoscope. And probably Savage Garden. Gotta have some sweet with the sour, y’know? Some yin with your yang. Some gin with your tonic. Some Simon with your Garfunkel.

AVER join Elder and Earthless at their second Sydney show on October 25 at Hermann’s Bar. Tickets on sale through lifeisnoise.com.