GiggySound

Every fortnight, we check in with all things heavy on RTRFM’s Critical Mass show.

DANZIG — SKELETONS

It’s been a rough couple of years for Evil Elvis himself, Glenn Danzig. He’s been the brunt of many a joke or meme and various ongoing legal dramas surrounding The Misfits. But underneath it all there is always the music, 2010’s Deth Red Sabaoth wasn’t too bad and Tommy Victor (Prong) is riffing and harmonic pinching like it’s going out of style, so it was with great interest that we listened to his latest effort of cover songs Skeletons.

With a list of bands covered including ZZ Top, Black Sabbath, Aerosmith, The Troggs and yes, Elvis Presley, Skeletons seemed like it would be a good time if nothing else. Sadly it is hindered by a lousy production job: a lot of the tracks sound like the product of a first take in the studio, a sub-par demo recording at best. I get that the early Misfits albums were rough and maybe the style they were deliberately going for was Garage Days–era Metallica, but it really is a poor effort.

Black Sabbath’s ‘N.I.B’ is woefully flat (not that Ozzy has ever been a vocalist known for his range) – its a damn shame. The one shining light is the Elvis cover ‘Let Yourself Go’. Danzig NAILS it. Get the Elvis cover, skip the rest.

GRAVE — OUT OF RESPECT FOR THE DEAD

There is something endearing about Swedish death metal veterans Grave – Ola Lindgren and clan have been churning out old-style death metal since 1988. Despite having a large discography and some killer tracks (e.g. ‘Souless’, ‘Into The Grave’) they never achieved the success that many of their contemporaries did (e.g. Dismember, Entombed or Unleashed).

Grave were never really going to outblast a band such as Nile, or be super technical and dissonant like Gorguts, but they have stood the course (aside from a brief flirtation with a slightly more accessible style with 1996’s Hating Life, which for lack of a better description was a death metal version of Helmet) and turned the Boss HM-2 pedals all the way up for that buzzsaw guitar tone. They also have some interesting song titles that have really been at odds with the sounds and made me enjoy them more (‘Lovesong’, ‘In Love’, ‘I Need You’).

Out Of Respect For The Dead offers little in the way of surprises or new sounds. Everything is bordering on being in the red and that Swedish death metal tone is loud and clear – possibly the best-produced album they’ve done. That said, Grave offer some great songs here, with tracks such as ‘Deified’, ‘Mass Grave Mass’ and ‘Plain Pine Box’ all getting the head banging. Grave seem content here, in ‘Mass Grave Mass’ Ola sings “Can’t Believe I’m Still Alive”. The world is better for Grave still being Grave.

HORRENDOUS — ANARETA

Writing album reviews and presenting radio is great fun. Inevitably though, lots of worthy albums slip through the cracks due to time and lack of knowledge, sometimes though you find great stuff unexpectedly. I found out about American death metallers Horrendous through the sheer amount of support and praise they were getting, topping several best of 2015 lists as early as November. So, curiosity piqued, I checked out the band’s third album Anareta, knowing only that the band played something of an old school brand of death metal.

Although definitely inspired by the old school Anareta is so much more, taking many twists and turns. The vocals are a bellowed howl that remind me a bit of a cross between Atheist’s Kelly Shaefer and Chuck Schuldiner. The songs twist and turn in a way that would make ‘Evil Chuck’ proud. There are some epic moments on here that are indebted to the likes of Gojira and even some post-metal bands (check the closing five minutes of ‘Acolytes’). Phenomenal stuff. Worth your time and the hype.

NIGHT VIPER — NIGHT VIPER

A new five-piece band blasting out of Gothenburg, but eschewing the more common Gothenburg-style melodic death metal of In Flames and At The Gates (among others) for an older pre-thrash style of metal. Night Viper play old style heavy metal that mixes a bit of Judas Priest, a dash of Iron Maiden and some Megadeth-style soloing with just a touch of doom heaviness (guitarist Tom Sutton having played with Japanese doomsters Church Of Misery for a spell).

Vocalist Sofie-Lee Johansson has a style that mixes a bit of Joan Jett and Joey Belladonna with Paul Di’anno but is all her own, a unique voice that stays low and doesn’t try to reach the falsetto highs that dominate the genre. There’s some great stuff here, especially the faster tracks such as ‘The Hammer’ and ‘Faces In The Mirror’. Like ALL the good bands they have a song named after themselves (Black Sabbath, Iron Maiden, Motörhead, Voivod, The Devil Rides Out etc).

UR DRAUGR — WITH HUNGER UNDYING

I haven’t listened to this release that much, but it’s still found its way into my top ten for 2015 (more on that in the coming weeks). That’s how good Ur Draugr are. The band’s follow-up to the The Wretched Ascetic EP, released in January, was apparently plagued by a major hard drive crash that resulted in the loss of a lot of material. The wait was certainly worth it though as With Hunger Undying is an amazing album.

A mix of dark black metal and death metal, the band have created some epic songs here that invoke Enslaved, Gojira and many more upper tier bands. Riffs weave in and out hypnotically (check the dizzying rollercoaster ride that is ‘Augur Incarnate (Distended Crown)’). Some phenomenal drumming from ‘drum machine for hire’ Dan Grainger and some pleasingly complex bass from Drew Griffiths make this all the more enjoyable.

Critical Mass airs every Wednesday from 9PM (GMT+8) on RTR FM 92.1 in Perth, Australia.