The demise of Splendour in the Grass will shock no one who has been listening to music industry warnings.
Archive for March, 2024
From Splendour to surrender: why music festivals are out in the cold
Sunday, March 31st, 2024From Splendour to surrender: why music festivals are out in the cold
Sunday, March 31st, 2024The demise of Splendour in the Grass will shock no one who has been listening to music industry warnings.
From Splendour to surrender: why music festivals are out in the cold
Sunday, March 31st, 2024The demise of Splendour in the Grass will shock no one who has been listening to music industry warnings.
How Charlie Pickering would sell Peter Dutton
Sunday, March 31st, 2024Given his understanding of politics, how would The Weekly host sell the opposition leader to the Australian people?
The ABC holds a huge archive of Australian stories. But not everyone can access it
Sunday, March 31st, 2024Documentary makers are increasingly concerned about the cost of accessing the ABC’s archive and the impact that will have on telling Australian stories.
‘It’s a fine line portraying addictions and not glamorising them’: Sam Taylor-Johnson
Sunday, March 31st, 2024The 57-year-old director reflects on the challenges of making the Amy Winehouse film, Back to Black.
How Charlie Pickering would sell Peter Dutton
Sunday, March 31st, 2024Given his understanding of politics, how would The Weekly host sell the opposition leader to the Australian people?
The ABC holds a huge archive of Australian stories. But not everyone can access it
Sunday, March 31st, 2024Documentary makers are increasingly concerned about the cost of accessing the ABC’s archive and the impact that will have on telling Australian stories.
‘It’s a fine line portraying addictions and not glamorising them’: Sam Taylor-Johnson
Sunday, March 31st, 2024The 57-year-old director reflects on the challenges of making the Amy Winehouse film, Back to Black.
‘The people own that’: Eddie Perfect says State Theatre should not be renamed
Saturday, March 30th, 2024In a social media post the acclaimed performer asked “why the Ian Potter Foundation feels the need to put his name on a theatre that belongs to all of us”.
