Sydney Festival director Olivia Ansell has condemned the behaviour of some activists who called for a boycott of the event.
Archive for January, 2022
Sydney Festival director condemns online ‘intimidation’
Monday, January 31st, 2022Sydney Festival director condemns online ‘intimidation’
Monday, January 31st, 2022Sydney Festival director Olivia Ansell has condemned the behaviour of some activists who called for a boycott of the event.
RHYTHMS OF LIFE Supporting child cancer research
Monday, January 31st, 2022Audiences are invited to experience the joyous healing power of music as Rhythms of Life […]
It’s time for older women in musicals to shine, says ‘rapping granny’
Monday, January 31st, 2022A few years ago there were precious few roles for women past 40 in Australian musical theatre. It’s changing, but is it changing fast enough?
It’s time for older women in musicals to shine, says ‘rapping granny’
Monday, January 31st, 2022A few years ago there were precious few roles for women past 40 in Australian musical theatre. It’s changing, but is it changing fast enough?
Opera Australia pulls off its finest Mozart production in decades
Sunday, January 30th, 2022There is nothing starched or airbrushed about David McVicar’s production of The Marriage of Figaro.
Opera Australia pulls off its finest Mozart production in decades
Sunday, January 30th, 2022There is nothing starched or airbrushed about David McVicar’s production of The Marriage of Figaro.
Zest and verve light up digital concert hall’s opening gala
Sunday, January 30th, 2022The Australian Digital Concert Hall, relaunched and renamed as a national platform, is dedicated to support local musicians and encourage new talent.
Zest and verve light up digital concert hall’s opening gala
Sunday, January 30th, 2022The Australian Digital Concert Hall, relaunched and renamed as a national platform, is dedicated to support local musicians and encourage new talent.
In the post-Trump era, American theatre classic finds new sales pitch
Sunday, January 30th, 2022Death of a Salesman repays a fresh look, with a lot to say about the gig economy and even social media and the importance of ‘likes’.
